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Gastronomy and Wine Portal

Quality contacts, new contracts: what Wines of Ukraine expect from ProWein 2026

ProWein 2026 international wine and spirits fair opens its doors in Düsseldorf, Germany, again on March 15–17. Wines of Ukraine will join more than 4,000 exhibitors at this key industry event with a national stand located in Hall3. What Wines of Ukraine expect from ProWein 2026?


This year, the Ukrainian stand will feature both debutants and wineries with many years of experience participating in ProWein, presenting their wines and spirits to the international audience.

SHABO, one of Ukraine’s best-known wineries, has been representing the country at major international trade fairs since 2011. “We were the first Ukrainian wine company to regularly participate in both ProWein and Vinexpo. From the very beginning, our mission has remained unchanged: to tell the world about the quality and unique character of Ukrainian wine and to help Ukraine take its rightful place on the global wine map. We have never deviated from this mission and continue to move forward consistently,” says Giorgi Iukuridze, co-founder of SHABO. The winery is an integral part of the Wines of Ukraine brand, so it is only natural that, in addition to their own large stand, SHABO will also be represented at the national booth.

Pilot’s Wines from Danubian Bessarabia were introduced to Ukrainian consumers in 2023 and quickly received enthusiastic feedback at Ukrainian wine fairs and tastings, as well as high praise on the international competition circuit — including two bronze medals at Decanter 2025 for their Merlot 2023 and Cabernet 2023. This year marks Pilot’s Wines’ first appearance at ProWein.

“For many years we attended the Düsseldorf fair as visitors from the wine trade and have always regarded it as one of the industry’s most important international events. When our own Ukrainian wine brand was launched, we realised that presenting it in an international context together with our colleagues at the Wines of Ukraine stand was the logical step. For us, this is a new stage and a new experience. We expect professional dialogue, new contacts, partnerships, and the opportunity to present modern Ukrainian winemaking to international experts and buyers,” says Olena Syzarova, the winery’s representative.

Here’s a look at the Ukrainian wineries and spirits producers featured at the national stand of ProWein 2027:

Beykush Winery (Mykolaiv region)
Villa Tinta (Danubian Bessarabia)
Big Wines (Kyiv region)
SHABO (Odesa region)
46 Parallel (Odesa region)
Odesos (Odesa region)
Pilot’s Wines (Danubian Bessarabia)
ODESA (Odesa region)
French Boulevard (Odesa region)
Artwinery (Odesa region)
Honey Badger (Kyiv region).

“International wine professionals are paying increasing attention to indigenous and authentic grape varieties,” says Victoria Agromakova, Wines of Ukraine ambassador and founder of the Wines & Spirits Ukraine expo. “That is why our producers’ portfolios include a wide range of wines made from the white varieties — indigenous Telti Kuruk and local Sukholymanskyi, as well as our flagship red grape, Odesa Black.”

This year’s Wines of Ukraine stand will also feature a strong selection of sparkling wines, reflecting the global trend of growing consumption in this category. Among them, Odesa-based producers French Boulevard and ODESA will present their sparkling wines at ProWein for the first time. 

Artwinery, one of Ukraine’s best-known producers of traditional-method sparkling wines, will also participate again. After Russia’s occupation of Bakhmut, where the company’s production facilities and unique underground cellars were located, Artwinery has managed to revive its production in the Odesa region — rising, like a phoenix, from the ashes. At the Wines of Ukraine stand, the company will present white, rosé and red sparkling wines.

According to preliminary estimates, this year’s ProWein will be somewhat smaller than last year’s event, with seven exhibition halls and around 42,000 visitors expected. But Svitlana Tsybak, head of the Association of Craft Winemakers of Ukraine, CEO of Beykush Winery and Wines of Ukraine ambassador, sees this as an advantage: “For us, the quality of contacts matters more than the quantity,” she says. “In my view, a more compact format gives exhibitors more opportunities to speak with buyers, while professional visitors can devote more time to producers that truly interest them.”

The Wines of Ukraine team invites visitors of ProWein 2027 to stop by the Ukrainian national stand and discover wines and spirits with a truly Ukrainian character.

When: March 15–17
Where: Messe Düsseldorf, Hall 3, Stand A40

We wish Ukrainian winemakers great success and many new contracts.

See you at ProWein!


 

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ProWein 2026 international wine and spirits fair opens its doors in Düsseldorf, Germany, again on March 15–17. Wines of Ukraine will join more than 4,000 exhibitors at this key industry event with a national stand located in Hall3. What Wines of Ukraine expect from ProWein 2026? This year, the Ukrainian stand will feature both debutants […]

Fruitful Roots of Peace: Restoring Viticulture in Mykolaiv Region through Partnership and Mechanization

In the context of a full-scale war, the issues of economic recovery and support for local communities have become particularly important for Ukraine. One response to these challenges has been the emergence of local initiatives that combine a partnership-based approach, international support, and active community participation. This is exactly the story of the experience of the Public Union “Association of Craft Winemakers of the Black Sea Region”, headed by Georgy Molchanov.


“For us, the Roots of Peace project is not just another initiative, but a logical continuation of many years of cooperation with international partners. We began with the demining of agricultural lands together with the non-profit organization Roots of Peace from California. This was followed by a restoration program with the participation of Rotary International, and today we are working in partnership with the United Nations Development Programme (UNDP). Even in times of war, this consistent support has made it possible not only to return land to cultivation, but also to revive vineyards and orchards in Mykolaiv Oblast. We are not stopping there: our next step is to create a cluster together with all partners and scientific institutions, where knowledge, experience, and resources will be combined for the development of the entire region. Through such partnerships, we see that true community recovery is not only about technology or funding, but about people, land, and a shared belief in the future,” emphasizes the head of the Association, Georgy Molchanov.

Георгій Молчанов

The Association operates in southern Ukraine, supporting small winegrowers and winemakers, fostering cooperation, and implementing sustainable agricultural practices. Its activities focus not only on the production of craft products, but also on restoring the economic potential of communities affected by the war.

An important stage in this process was the implementation of the project “Roots of Peace: Mechanization for the Growth and Sustainability of the Farmers’ Cooperative”, carried out in the Radsadivska community of Mykolaiv Oblast. The project was implemented within the framework of the Enhanced Partnership for Sustainable Recovery initiative, led by UNDP in Ukraine with financial support from the Government of Sweden through Sida, in cooperation with the Mykolaiv Regional Military Administration and local authorities.

Георгій Молчанов

“When we first arrived at the demined fields, it was obvious that without modern equipment, farmers simply would not be able to cultivate the land effectively. Mechanization became a key factor in restoring production,” explains Georgy. After part of the agricultural land had been demined, the community faced a new challenge: the lack of modern equipment needed for the efficient cultivation of vineyards and orchards. The Roots of Peace project aimed to address this issue by strengthening the production capacity of the farmers’ cooperative.

Георгій Молчанов

As part of the project, the cooperative received a garden tractor with attachments, including a sprayer, mulcher-mower, and soil milling machine. In addition, cooperative members received training in the safe and effective operation of the equipment. This enabled the cultivation of more than 10 hectares of vineyards and orchards, increased labor productivity, and ensured the timely completion of agricultural work.

“It was important for us not only to provide the equipment, but also to teach people how to use it safely and effectively. Investments in knowledge always have a greater impact than equipment alone,” adds Georgy. The project also included an important social component: women, veterans, and internally displaced people were involved in training and work, contributing to expanded economic opportunities for vulnerable groups and strengthening social cohesion within the community.

Георгій Молчанов

Today, the activities of the Association of Craft Winemakers of the Black Sea Region serve as an example of how partnerships between civil society organizations, local authorities, and international donors can generate long-term solutions for regional recovery. The Roots of Peace project demonstrates that investments in equipment, knowledge, and people form the foundation of sustainable development and can be replicated in other communities across Ukraine.

“Our task is to show that even in wartime, it is possible to build a sustainable local economy. This is a story about people, land, and partnership,” concludes Georgy Molchanov.



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In the context of a full-scale war, the issues of economic recovery and support for local communities have become particularly important for Ukraine. One response to these challenges has been the emergence of local initiatives that combine a partnership-based approach, international support, and active community participation. This is exactly the story of the experience of […]

Ukrainian Wine Will Claim Its Place in the Sun: An Interview with Volodymyr Pechko, Head of Ukrsadvinprom

In this special edition of Drinks+, dedicated to the 10th anniversary of the Public Union Ukrsadvinprom, we present an exclusive interview with Volodymyr Pechko, the head of Ukraine’s leading association of winegrowers and winemakers. Our conversation explores the organisation’s key achievements, international initiatives, the development of the Wines of Ukraine brand, support for producers during wartime, and a broader vision for the future of the industry — its challenges and opportunities. It is an important reflection on a decade of transformation and a look ahead at what the next chapter of Ukrainian wine may hold.


Печко

Ukrsadvinprom marks its 10th anniversary this year. Which changes and achievements of this decade do you consider the most significant for the industry?

This is the first major milestone for our union, and we want to celebrate it together with our friends and partners. Among the most important achievements, I would highlight several key areas. First, legislative changes and a substantial simplification of conditions for small wineries. The licensing fee was abolished, and producers were allowed to contract accredited laboratories operating in Ukraine. This effectively opened the door to legal production for dozens of new wineries. As a result, the number of small wine enterprises has grown by more than 70% over the past decade. Second, a major victory was the restoration of Ukraine’s membership in the OIV.

Печко

We worked on this for several years together with the Ministry of Agrarian Policy and our partners. Third, the creation and development of the Wines of Ukraine brand, which was identified as a strategic priority at the 2019 Wine Congress. 

Печко

It is also worth mentioning the expansion of the state support programme in 2021, which for the first time introduced compensation for the purchase of winemaking equipment – a historic step for the sector. Equally important are initiatives aimed at popularisation: the celebration of Winegrower and Winemaker Day, Odesa Black Variety Day, and plans to introduce Sukholymanskyi Variety Day.

Many industry associations in Ukraine are reluctant to disclose their membership numbers – often because there is little to boast about. In your case, the figures speak for themselves. How many members does Ukrsadvinprom have today, and what share of them are winemakers or beverage producers? How has the structure changed in recent years?

Our membership list is open. Today, the union includes around 300 enterprises, of which approximately 70 represent the winegrowing and winemaking sector. In addition, more than ten industry associations are part of Ukrsadvinprom. In practice, about one-third of our members are winemakers. The union also includes specialised research institutions in horticulture, viticulture, and oenology. Initially, in 2016, the organisation operated under the name Ukrsadprom. Later, as more winemaking enterprises joined, we changed the name to Ukrsadvinprom. The first to join were large producers, followed by dozens of craft wineries that believed in our shared lobbying and professional platform.

Печко

Which major projects of the union do you consider the most successful in promoting Ukrainian wine internationally?

One of the key initiatives was the development – together with the ITC – of a roadmap for the development of Ukraine’s winegrowing and winemaking sector. As part of this work, study visits were organised to Moldova, Georgia, Armenia, Spain, and France, involving representatives of the Ministry of Agrarian Policy, the Ministry of Economy, and the Verkhovna Rada. These visits helped us form a clear vision of the reforms and legislative changes required.

Печко

In 2021, we signed a memorandum with the Ministry of Agrarian Policy outlining ten strategic directions for the sector’s development. One of them was the restoration of Ukraine’s membership in the OIV. The OIV is not a financial institution but a platform for shaping international standards, innovation, and scientific exchange. Membership allows Ukraine to integrate into the global winemaking system at the level of standards, resolutions, and technological developments – a space where scientists and producers from around the world share expertise and innovation.

As for the Wines of Ukraine brand, the decision to create it was made in 2019. A group of wine promoters, donors, and representatives of the Ministry of Foreign Affairs developed the visual identity and compiled historical and export-oriented materials. Shortly afterwards, the first collective stand under the Wines of Ukraine banner – led by Svitlana Tsybak – appeared at ProWein, marking a breakthrough moment for Ukrainian wine. Since then, Ukrsadvinprom has organised tastings of Ukrainian wines at OIV General Assemblies in Jerez de la Frontera, Dijon, and Chisinau, promoting Ukrainian varieties and producers.

Печко

Some of the photographs featured in this issue were taken by Arsen Fedosenko – photographer and winemaker – who joined the Ukrainian Armed Forces in the first days of Russia’s invasion and was tragically killed. The war has taken lives, destroyed livelihoods, and reshaped the industry. What support can the union provide in such circumstances?

Arsen Fedosenko was not only a photographer and winemaker – he was a friend to many in the Ukrainian wine community, and a true patriot. Just two weeks before the full-scale invasion, he gifted me a beautiful photoshoot we did at the WINEIDEA winery near Kyiv. That winery was among the first to suffer damage. And soon after, Arsen was gone

The war has become the most devastating challenge our industry has ever faced. Dozens of enterprises have been damaged or occupied, including: Artwinery (Bakhmut), Tavria Brandy House, Kamyansky Winery, Prince Trubetskoi Winery, Kurin Farm, and producers across Mykolaiv, Kherson, and Zaporizhzhia. A separate tragedy is the loss of historic wine collections – cultural heritage that cannot be restored. The war has affected not only production volumes. With the occupation of the Black Sea regions, Ukraine lost access to maritime logistics – one of the most cost-effective export routes. This has significantly reduced the competitiveness of Ukrainian products. We can no longer export the volumes we once could – and this affects not only wine but horticulture, grain, and other sectors. Ukrsadvinprom participates in working groups on compensation and informs producers about available state and donor support.

Печко

How has the war affected the industry in numbers? Which regions suffered the most?

Beyond the occupied enterprises, dozens of wineries and distilleries have been damaged by shelling. For example, Akkerman Distillery (TMAznauri) – a company that paid more than a billion hryvnias annually in taxes and excise duties. Other affected producers include Nyva and Koblevo. The heaviest losses were recorded in Kherson, Donetsk, Zaporizhzhia, and Kharkiv regions. In numerical terms: since 2014, Ukraine has lost around 60,000 hectares of vineyards in occupied Crimea. Since 2022, further significant areas have been lost due to temporary occupation. If in 2021 Ukraine had around 41,000 hectares of vineyards, today fewer than 20,000 hectares remain. But the true losses cannot be measured by a calculator. This is a rupture in our history, traditions, and generational continuity.

The collections of the Artwinery in Bakhmut, the archives of Tavria, the Prince Trubetskoi Winery, and many others – are gone forever. And the most painful loss is human lives. Some wineries were attacked in the first days of the war; vineyard workers were wounded or killed while pruning; some producers lost their winemakers. How can such losses ever be compensated? Still, we try to support businesses wherever possible. Ukrsadvinprom participates in working groups on state support, compensation mechanisms, and benefits for relocated enterprises. We work to ensure producers receive timely information about the assistance available – both from the state and from international donors.

Печко

Even so, Ukrainian winemakers have proved to be among the most resilient professionals in the country. How many new wineries have emerged during the war, and what, in your view, motivates people to start winemaking ventures in such difficult times?

Thank you for this question – it allows us to focus on something positive. Indeed, the number of wineries in Ukraine continues to grow. Even in wartime, development has not stopped. People are establishing new enterprises, obtaining licences, expanding the diversity of Ukrainian wine, and presenting it with dignity at domestic festivals and international exhibitions.

Fortunately, this process is irreversible. For many years, Ukraine’s wine sector remained in a state of semi-hibernation, with little development. Small craft wineries did appear, but they operated without licences and remained in the shadows. They were able to emerge from this grey zone thanks to legislative changes – including those we helped to initiate. Today, there are already dozens of such enterprises across the country. In Kyiv region alone, more than ten licensed wineries are now operating. And their number will undoubtedly continue to grow. They will establish family domains, plant new vineyards, and build the foundations of a modern wine culture. The result of this work is the future of Ukrainian wine – a landscape shaped largely by small, strong, and distinctive producers.

How do you assess the new Law of Ukraine “On Grapes, Wine and Viticultural Products”? Which provisions are most important for the sector, and what still requires refinement?

Overall, the assessment of the Law “On Grapes and Viticultural Products” is positive. It does not contradict our core principles, which were outlined in the Memorandum signed with the Ministry of Agrarian Policy and Food. At the same time, certain provisions remain vulnerable. It is important to recognise that the level of state support for viticulture and winemaking in Ukraine is significantly lower than in EU countries. The playing field is not level. Therefore, if we are implementing European legislation and requiring compliance with European regulations, we must also ensure a corresponding – European – level of support for domestic producers. We insist on introducing the same systemic and sufficient support mechanisms for Ukrainian winegrowers and wineries.

Печко

What other key steps, in your opinion, are necessary for Ukraine to secure a worthy place on the world wine map?

First and foremost, stable and adequate state financial support is essential. Equally important is a clear export strategy, along with a defined programme of national and regional wine events. We also believe that legislation should allow the advertising of dry wine and the sale of dry wines without time-of-day restrictions. Dry wine is a food product, and moderate consumption has a positive impact on public health – and reduces the risk of alcoholism. This was scientifically demonstrated in the last century by Vasyl Yehorovych Tairov. Another crucial factor is restoring and strengthening consumer trust in Ukrainian wine. Festivals should take place across all regions – from west to east, from north to south. Even during wartime, we must give people opportunities to rest, to feel optimism and mutual support. This helps society recover and maintain the strength needed to continue building our country’s future.

Печко

What joint projects does Ukrsadvinprom plan with scientific institutions in Ukraine or Europe? In particular, could you share details about cooperation with the V. Ye. Tairov Institute? Are there plans for new varieties, research, or technologies?

Ukrsadvinprom is a longstanding partner of the V. Ye. Tairov Institute of Viticulture and Winemaking, and we work together systematically. Our collaborations include the promotion of indigenous varieties, the organisation of professional events such as Winegrower and Winemaker Day, Odesa Black Variety Day, and – in the future – a national level Winemaker’s Day.

We also cooperate on raising the professional qualifications of institute staff and integrating them into European and international scientific databases. An important area of work is the reinstatement of varieties previously removed from the state register. Together, we are expanding the range of wines made from Ukrainian grape varieties. The Tairov Institute has been a member of Ukrsadvinprom since 2019, and since then we have jointly implemented numerous initiatives aimed at developing Ukraine’s viticulture and winemaking sector.

Печко

Could you elaborate on the joint initiative of Italy, FAO, and the Ministry of Economy of Ukraine to support small winemakers in Odesa region? What is Ukrsadvinprom’s role, and what outcomes do you expect from this programme?

The FAO project “Support for the Viticulture and Winemaking Sector” began in 2021 in western Ukraine — in Zakarpattia, Lviv, Ivano-Frankivsk and several other regions. It later expanded to Ternopil and Volyn, and eventually included the winemaking sector of Odesa region. The support package includes planting new vineyards, developing irrigation systems, and purchasing equipment for wineries. Initial grant assistance ranged from USD 10,000 to 25,000. In some regions, support for berry and orchard producers has already increased to USD 150,000. Ukrsadvinprom works closely with FAO to improve support mechanisms. We are grateful to FAO leadership, both regional and central offices, for their consistent and substantial assistance to Ukraine’s viticulture, winemaking and horticulture sectors.

Печко

Last year you obtained your doctoral degree. What was the subject of your dissertation, and how does academic work influence your role in the industry?

Thank you for your interest in my professional path. I began my academic journey in 2014, entering postgraduate studies. In 2017, I earned the degree of Candidate of Economic Sciences, and five years later received the academic title of Associate Professor. In 2021, I entered doctoral studies, and in 2025 defended my doctoral dissertation entitled: “Strategic Management of the Development of Ukraine’s Viticulture and Winemaking Sector in the Context of Globalisation.”

Печко

I am convinced that my academic work and research directly contribute to practical progress. The dissertation identified strategic steps for the development of Ukraine’s viticulture and winemaking sector and outlined prospects for its integration into the global market. I firmly believe that implementing these strategic approaches will help build a strong, competitive and modern Ukrainian wine industry.

Печко

Have you ever considered becoming a winemaker or distillery yourself?

Of course – at a certain stage of my life, winemaking and viticulture began to occupy a special place in my thoughts. I have a genuine admiration for this craft and deep respect for the work of winemakers. It is, in its own way, a romantic yet highly demanding profession. 

However, I am convinced that each person should pursue the work that is truly their calling. For me today, that is my role within Ukrsadvinprom, which unites more than 300 enterprises. They require constant communication, support, systematic coordination and representation of their interests. I am certain that I am far more effective in this capacity. I hope our work genuinely benefits the sector – and this is reflected both in state honours awarded to me and to the Ukrsadvinprom team, and in the many letters of appreciation we receive from our member enterprises.

Печко

What strategic priorities and objectives does Ukrsadvinprom have for the next 3–5 years?

Our strategic objectives for the next three to five years begin with expanding state support and bringing it as close as possible to European standards – to the best practices of viticulture and winemaking development.

Equally important is restoring and strengthening trust in Ukrainian wine. Active promotion and communication are essential – in both digital and print media – without restrictions on the use of Ukrainian wine names, grape varieties and geographical indications, the number of which will continue to grow. It is vital to revive historical names, preserve traditional recipes and, at the same time, shape a new stage in the evolution of Ukraine’s wine sector.

Among our priorities are festivals and large-scale educational work with consumers. We must raise awareness of wine culture, explain how to distinguish authentic wine from low-quality products, and clarify which indicators define wine quality. We also plan to strengthen our presence in international organisations and institutions, where Ukrsadvinprom is already an active participant. Naturally, a key vector remains the expansion of Ukraine’s export potential and the confident positioning of Ukrainian wine on the global market.

Печко



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In this special edition of Drinks+, dedicated to the 10th anniversary of the Public Union Ukrsadvinprom, we present an exclusive interview with Volodymyr Pechko, the head of Ukraine’s leading association of winegrowers and winemakers. Our conversation explores the organisation’s key achievements, international initiatives, the development of the Wines of Ukraine brand, support for producers during wartime, […]

Mauricio González-Gordon: The Art of Thinking in Generations

There are very few wine companies that can speak about the 19th century in the present tense. Fewer remain family-owned after nearly 190 years and operate across 105 markets worldwide. González Byass sits in that rare category.


Founded in 1835 in Jerez by Manuel María González Ángel, the house began as a modest Sherry business built around one man’s intuition and his uncle Pepe’s expertise. The name Tío Pepe – today one of the most recognisable Fino brands globally – started as a family reference before becoming an icon.

A partnership with British agent Robert Byass opened export channels early, embedding international vision into the company’s DNA from the outset. Sherry was not just the founding product. It remains the only wine continuously produced by the same family since the company’s origin. Today González Byass is a diversified global group, but its centre of gravity remains rooted in Jerez.

González Byass

 


The House Today – A Branded Vision

González Byass operates as a “branded house.” Its portfolio includes:

  • Tío Pepe – global Fino benchmark
  • Beronia – leading Spanish winery producing wines in Rioja and Rueda
  • Viñas del Vero – modern Somontano expression
  • Vilarnau – pioneer in 0.0 and 8% Cava
  • Croft Twist – a Fino-based Spritz redefining Sherry’s social positioning
  • Projects in Mexico and Chile, expanding the group’s international terroir footprint

The philosophy repeatedly articulated by President Mauricio González-Gordon is simple: think in generations, not quarters. Internally, this principle is known as “5+5” – the idea that each generation is a temporary guardian, responsible for passing the company on stronger to the next.

González Byass


The Family Behind the House. From Manuel María González to Mauricio González-Gordon

To understand González Byass as a company, one must first understand that it did not begin as a corporation. It began as a family conviction.

In 1835, a 23-year-old entrepreneur from Jerez, Manuel María González Ángel, founded what would later become one of Spain’s most internationally recognised wine houses. He was young, ambitious and unusually outward-looking for his time. Sherry was already exported, but Manuel María understood that quality alone was not enough – positioning, relationships and trust mattered just as much.

González Byass

His uncle, known affectionately as “Tío Pepe,” played a decisive role in shaping the early wine style. The brand that now dominates rooftops and airport duty-free shelves began as a tribute to a family mentor.

The international dimension entered early. In 1844, Manuel María partnered with Robert Blake Byass, his agent in the United Kingdom. This Anglo-Spanish connection not only gave the company its double surname, González Byass, but also embedded an export orientation into its DNA from the very beginning. The UK was not an afterthought. It was foundational.

Throughout the 19th century, the family expanded soleras, invested in cellar architecture, and positioned Sherry as a serious wine category rather than a fortified curiosity. The company survived phylloxera, civil war, dictatorship, global recession and the restructuring of the wine industry in the late 20th century. What is remarkable is not just survival, but continuity. The house has remained under family leadership for nearly 190 years. Today, that responsibility sits with Mauricio González-Gordon, representing the fifth generation of the family.

Mauricio González-Gordon. Steward, Strategist, Cultural Bridge

Mauricio González-Gordon does not present himself as a corporate executive detached from production. He grew up inside the ecosystem of Jerez – among soleras, harvest cycles and conversations about export markets. Educated in economics and business, he formally joined the family company after gaining experience outside the winery structure. This external exposure matters. Unlike some dynastic successions built purely on inheritance, his leadership has combined financial discipline with inherited cultural responsibility.

González Byass5

He became President of González Byass in 2015, at a moment when the wine industry was already beginning to shift dramatically:

  • declining per capita wine consumption in Europe
  • the rise of experiential hospitality
  • increased scrutiny on carbon emissions
  • generational drinking shifts
  • the premiumisation-versus-accessibility debate

Under his presidency, the group accelerated several structural transformations:

  • Formalisation of the People + Planet sustainability framework
  • Stronger ESG reporting discipline
  • Expansion of low and reduced alcohol portfolios
  • Digitalisation of operations, including recognised SAP-backed systems
  • Reinforcement of enotourism as a core business pillar
  • Continued global positioning of Tío Pepe as a world brand

Colleagues often describe him as measured rather than charismatic in the traditional sense. His style is not theatrical. It is controlled, analytical, and long-range-oriented. He frequently repeats the phrase that González Byass “thinks in generations, not quarters.” That phrase is not rhetorical. It reflects the governance structure. The company operates with a clear understanding that family leadership is custodianship, not ownership in the short-term sense. What distinguishes Mauricio’s generation is perhaps the explicit integration of sustainability into corporate strategy. Earlier generations built the brand. His generation is tasked with protecting the conditions that allow the brand to continue existing – climate resilience, water management, renewable energy integration, and vineyard preservation.

He is equally comfortable discussing:

  • the 19th century origins of a solera
  • emissions reduction targets
  • distribution structures in the UK and the US
  • or the strategic logic behind a 5.5% Spritz

There is no visible tension between these subjects in his discourse. That fluidity reflects something important: he does not frame innovation as rebellion against tradition, but as its extension. For a company whose flagship wine predates electricity, that mindset is not incidental. It is structural.

When I met Mauricio González-Gordon, what struck me first was not corporate rhetoric, but coherence. The answers connected history to strategy, sustainability to economics, and identity to market responsiveness without contradiction.

The following conversation unfolds across the pillars that currently define González Byass: generational governance, digital transformation, Sherry’s renaissance, low and no alcohol strategy, sustainability metrics, vineyard preservation and global distribution. Each theme reveals how a 190-year-old house positions itself not as a relic of the past, but as an evolving institution. The wine industry today operates under intense short‑term pressures: rising production costs, climate volatility, declining per‑capita consumption in mature markets, and an ever‑present demand for innovation. In such an environment, the phrase “long‑term vision” can all too easily slip into empty rhetoric. At González Byass, however, “thinking in generations” is more than a slogan. It is an internal operating principle – often described as the 5+5 philosophy – a reminder that leadership is an act of stewardship rather than ownership.

I asked Mauricio what this philosophy looks like in practice.

Kateryna Yushchenko: You often say that the company thinks in generations rather than in quarters. In such a volatile and unpredictable global environment, is this long-term philosophy an advantage -or can it become a limitation?

Mauricio González-Gordon: “When you build brands like Tío Pepe or Beronia, you cannot think in quarterly results. Brand equity is generational. It requires consistency and patience. If you change direction every year, consumers lose confidence. And confidence is the foundation of a brand.”

He pauses, then adds something important: “But at the same time, we must remain highly reactive. The market changes fast. Consumers change fast. New trends appear quickly -whether it is low alcohol, sustainability expectations, or new ways of consuming wine. The balance is not contradictory. It is complementary.”

He explains that this dual approach has existed since the company’s early years. While the house protected its core soleras and flagship brands, it was also one of the first in Spain to establish a private enological research centre in the 1960s -a move that was far from conservative at the time.

“We have always combined continuity with research. When we identify a market movement, we study it thoroughly. We ask our technical teams to analyse it, to test it, and to propose solutions. That is how we adapt without losing identity.”

The emphasis is clear: generational thinking does not mean slowness. It means filtering decisions through durability.


On Sustainability – From Commitment to Measurement

Sustainability in wine is no longer a moral add-on. It is operational pressure. Southern Spain is warming faster than the global average. Water access is tightening. Energy costs are volatile. Retailers increasingly demand reporting transparency. Investors expect measurable ESG performance. Under the People + Planet programme, González Byass has formalised sustainability into a structured, annually audited system. This is not positioned as communication, but as infrastructure.

The results are concrete:

  • 99% waste recovery rate
  • 55% of total energy from renewable sources
  • 88% of electricity renewable
  • 60% emissions reduction in Jerez over a decade
  • 85% of bottles under 485 grams
  • Integration of green hydrogen and geothermal energy

These are not symbolic gestures. They require capital expenditure, internal coordination and cultural change.

González Byass5


I asked Mauricio where the real difficulty lies.

K.Y.: People + Planet shows impressive numbers – renewable energy integration, emissions reduction, waste recovery. What has been the most challenging part of turning sustainability from philosophy into daily practice?

M.G.: “There is a cost. Sustainability requires investment. Renewable energy systems, emission tracking, water management technology – none of this is free. And it cannot be implemented overnight.”

He speaks calmly, almost pragmatically.

“But we are convinced about the challenge of global warming. Many of our wine regions are directly affected. We see it in vineyard cycles, in water stress, in harvest dates. If you think in generational terms, you cannot ignore it. The alternative would be short-term savings and long-term damage.”

For him, the discipline of annual reporting is as important as the initiatives themselves.

“It is not enough to say we are sustainable. We measure every year. We certify. We compare performance. That creates internal accountability.”

The language is not emotional. It is structural.


The Bottle Weight Debate

If renewable energy is a technical transition, glass weight is cultural. For decades, heavy bottles were equated with prestige. The logic was simple: weight suggested substance. Particularly in certain Asian and premium markets, glass mass was perceived as part of luxury. Today, that logic is reversing.

Lifecycle assessments increasingly show that heavier bottles dramatically increase transport emissions. As climate awareness grows, weight becomes more visible. González Byass reports that 85% of its bottles now weigh under 485 grams. Achieving that shift was not simply a packaging adjustment. It required changing internal perception.


K.Y.: Moving away from heavy bottles must have been challenging, especially given the premium positioning. Was the resistance external – or internal?

M.G.: “For decades, weight signified quality. Especially in certain markets. Convincing our commercial teams that lighter bottles represent responsibility – not lower quality – has been a process.”

He does not blame consumers. He points inward.

“But consumer perception is shifting. Heavy glass increasingly signals a higher carbon impact. If we want to remain credible in sustainability, packaging must reflect that. The story cannot contradict the product.”

The transition required technical redesign – lighter glass that still looks premium – but also education within sales teams and distribution partners.

“It was as much about mindset as engineering.”

In that sentence lies the real cost of sustainability: not just infrastructure, but belief alignment.


Climate Adaptation – Water Management in Spain

Southern Spain is not discussing climate change in abstract terms. It is living it. Over the past five years, Andalusia has faced recurring drought cycles, record summer temperatures and increasingly erratic rainfall patterns. Harvest dates are shifting. Water reservoirs fluctuate unpredictably. In regions historically defined by dry farming, irrigation strategy is no longer theoretical – it is existential.

For wine producers operating on generational timelines, the question is no longer “if” adaptation is needed, but how quickly it can be integrated without altering the identity of the vineyard.

At González Byass, water management has become a central technical priority. The company has introduced advanced soil sensors, irrigation optimisation systems and precision monitoring across key estates. The goal is not simply to reduce water use, but to understand exactly when and how the vine truly needs intervention.


I asked Mauricio how decisive this shift has become.

K.Y.: Spain has experienced severe drought cycles over the past few years. How critical has water technology become to long-term vineyard security?

M.G.: “It is fundamental.”

He does not hesitate.

“We use soil sensors to understand the exact needs of the plant. Not approximations, not assumptions. The data allows us to irrigate precisely when necessary and to avoid overuse. Water efficiency is not optional in Southern Spain anymore.”

He stresses that this is not an isolated sustainability initiative.

“Adaptation is not a project. It is daily vineyard management. Every season is different. Every parcel behaves differently. Technology helps us respond without losing control.”

The underlying implication is clear: climate adaptation is no longer a future investment category. It is operational survival.


Ángel de Viñas – Saving Vineyards Before They Disappear

Across Spain, hundreds of small, old vineyards are quietly vanishing. Not because the vines are weak. Not because the grapes lack quality. But because the economics no longer work. Many historic plots – some over 80 or 100 years old – produce very low yields. Their cultivation is labour-intensive. Younger generations often leave rural areas. Without financial viability, old vineyards are abandoned, uprooted, or replaced with higher-yield plantings. For a company that speaks about generational thinking, the disappearance of old vineyards is not a romantic loss. It is a structural one.

херес

In 2021, González Byass launched Ángel de Viñas, an initiative to recover and support endangered vineyards across Spain. The project works directly with growers, providing technical and financial support over a multi-year period to help restore viability. But the question remains – is this preservation, philanthropy, or future business strategy?


I asked Mauricio directly.

K.Y.: The Ángel de Viñas project focuses on restoring historic vineyards at risk of disappearing. Is this primarily cultural preservation -or do you also see long-term commercial potential in these old plots?

M.G.: “It’s a very good question. Our initial aim was protection. There are varieties and vineyards that are almost lost. In some cases, there are only a few hectares left. And the owners cannot invest enough to maintain them because production is small.”

He explains that the company typically supports a vineyard for around three years – helping to restore cultivation, improve management and bring it back into production.

“But vineyards can only survive if they are economically viable. Otherwise, they disappear. We don’t rule out the possibility that, in certain cases, we may buy grapes and produce a wine. That may come. But preservation is the first objective.”

He shifts the argument to consumer behaviour: “Today, consumers are increasingly interested in local culture. Not just international varieties that you can find everywhere. They want a story. They want identity. Recovering old varieties helps tell that story.”

He references an earlier example outside the formal Ángel de Viñas framework – the revival of Tintilla de Rota in Jerez, once nearly extinct, now bottled successfully as Moncloa.

“It shows that heritage and market can work together.”

Ángel de Viñas therefore operates on two levels. On one level, it is biodiversity protection – preserving genetic diversity and historic viticulture. On another, it is rural stabilisation – supporting growers who might otherwise abandon their land. And potentially, in the long term, it becomes narrative capital – rare wines rooted in authenticity rather than constructed exclusivity.

González Byass


Artificial Intelligence and Digital Transformation. Technology Without Losing the Human Hand

The wine industry has traditionally been cautious about technology. Craft, intuition, terroir – these are not words that naturally align with artificial intelligence or data infrastructure. Yet the operational complexity of modern wine groups has changed dramatically. Energy monitoring, supply chain transparency, predictive demand analysis, sustainability reporting, and compliance tracking – all of these require structured data systems. González Byass has invested heavily in digital transformation and received international recognition through the SAP Innovation Awards for integrating technology into resource management and sustainability processes. The key question is not whether they use technology – it is where they draw the line.


K.Y.: González Byass has been recognised for digital transformation and the use of data systems, including artificial intelligence in process management. In a house built on craftsmanship and terroir, how do you introduce AI without losing authenticity?

M.G.: “We digitalise where it improves efficiency – not where it replaces character.”

He clarifies immediately that technology is used in operational layers: “Administration, energy tracking, materials management, bottling processes, market data analysis – these areas benefit enormously from digital systems. They allow us to reduce waste, optimise resources and understand consumer behaviour more precisely.”

But he draws a clear boundary.

“When it comes to defining style, blending decisions, fermentation judgement – that remains human. We are not producing a generic product. We are reproducing the character of each winery and its origin. That cannot be automated.”

He sees AI not as a creative replacement but as a decision-support layer.

“Artificial intelligence helps interpret data faster. It helps us identify trends. It helps us anticipate changes in supply and demand. But final decisions require experience.”

The digital shift also supports sustainability. Energy use can be tracked in real time. Emissions can be measured accurately. Packaging composition can be monitored. Without data infrastructure, ESG reporting remains theoretical.

In that sense, technology becomes an enabler of responsibility.


Sherry’s Return. Reinvention or Rediscovery?

For decades, Sherry carried a paradox. Among professionals, it was revered – technically complex, gastronomically versatile, intellectually rich. Among many consumers, especially in Northern Europe, it was often associated with older generations and pre-dinner formality. Meanwhile, global wine consumption has been declining, particularly in mature markets. Younger consumers experiment across categories – cocktails, natural wine, low-alcohol options – and traditional fortified wines rarely sit at the centre of that exploration.

And yet, over the last several years, Sherry has quietly re-entered the conversation. Not through nostalgia. Through mixology. Through Michelin-level gastronomy. Through experiential hospitality. González Byass has been a key architect of that repositioning.

González Byass


I asked Mauricio whether this renaissance is clever marketing – or something deeper.

K.Y.: The global wine world is facing declining consumption. But Sherry – and Tío Pepe especially – seems to be gaining relevance again. Is this a result of strategic marketing, or are younger consumers genuinely rediscovering the category?

M.G.: “Consumption patterns are cyclical. They change. But beneath those cycles, there is the essence of the product.”

He leans forward slightly when he speaks about Sherry: “Sherry is different from everything else. The ageing system, the biological development, the oxidative styles, the versatility – it offers something unique. For people who want to explore wine seriously, Sherry is inevitable.”

He does not call it a miracle: “The product has always been strong. The challenge is accessibility. How do we make it easy for consumers to approach it?”

One of the key initiatives has been the Tío Pepe Challenge, an international cocktail competition that engages more than 1,500 mixologists annually across multiple countries. Finalists are invited to Jerez, turning bartenders into category ambassadors.

“For younger consumers, cocktails are often the first contact point,” Mauricio explains. “If Sherry can demonstrate its versatility in that context, it breaks the stereotype.”

Rather than fighting cocktail culture, they entered it. At the high-end dining level, Copa Jerez has become a powerful positioning tool. The international pairing competition brings together Michelin-starred chefs and sommeliers, reinforcing Sherry’s status beyond an aperitif.

“For many years, Sherry was seen mainly as an aperitif,” he says. “But it works beautifully across the entire meal –from Fino to Amontillado to Palo Cortado and beyond.”

The strategy reframes Sherry not as a nostalgic fortified wine but as a versatile gastronomic tool.

González Byass welcomes approximately 200,000 visitors annually to Jerez. Beyond cellar tours, the company operates Hotel Bodega Tío Pepe and hosts the Tío Pepe Festival, which connects wine with music, culture, and social memory.

“Experience strengthens memory,” Mauricio says.

“When people live Sherry – not just taste it – they retain it.”

For a category built on a solera system that blends decades into a single glass, patience is embedded in production. Now that same patience appears to be shaping its revival.


Low & No Alcohol. Adaptation Without Dilution

If there is one shift that has forced traditional wine houses to confront uncomfortable questions, it is the rise of low and no alcohol. The category is no longer experimental. In the UK and parts of Northern Europe, growth in 0.0% and reduced-alcohol beverages has outpaced that of traditional wine segments. Health awareness, a culture of moderation, weekday consumption patterns, and social flexibility are reshaping drinking occasions.

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For heritage producers, the dilemma is delicate:

  • How do you enter low alcohol without weakening the brand equity built over generations?
  • How do you innovate without confusing consumers about what you stand for?
  • González Byass chose not to resist the shift.

Through Vilarnau 0.0 and Vilarnau 8%, the group entered the category via Cava – a sparkling format already aligned with celebration and lifestyle positioning. Now, expansion continues with upcoming reduced-alcohol launches from Viñas del Vero, including 0.0, 8% and a 5.5% Spritz concept. Meanwhile, Croft Twist, a Fino-based Spritz, has doubled volumes year-on-year in Spain.


I asked Mauricio whether this move required internal persuasion.

K.Y.: For a company with nearly 190 years of history, was it difficult to convince the organisation that alcohol-free and reduced-alcohol wines deserve serious strategic attention?

M.G.: “Not really. Even with a long history, we have always looked to the future. Market reality must be incorporated into decision-making.”

He is careful about one point: “With a well-known brand like Tío Pepe, you must be cautious. Consumers expect something specific. So any extension must respect that identity.”

He frames low alcohol not as dilution, but as diversification: “Consumers are changing. They are moderating. They are creating new occasions. If we do not respond, we become less relevant.”

He adds that innovation is not imposed from above – it is developed collaboratively across winemaking teams.

“We have strong technical teams in each winery, and they share experience. When the market trend is low alcohol, we ask them to explore solutions. But always respecting origin and character.”


Beyond Trend – Occasion Architecture

What is interesting about González Byass’ approach is that it treats low- and no-alcohol options not as a moral position but as an occasion design. A 0.0 sparkling wine works differently from a 5.5% Spritz. An 8% wine sits between traditional and abstinent categories.

Rather than abandoning alcohol strength as identity, the company is building a spectrum. For a house founded on fortified wine – historically stronger in alcohol – this repositioning signals flexibility without denial. It is not a retreat. It is recalibration. And once again, the logic circles back to generational thinking: If the next generation drinks differently, the house must remain present at their table – even if the glass contains less alcohol.


The González Byass School. Education as Competitive Infrastructure

Wine is one of the few consumer goods that requires explanation to unlock its value. Temperature matters. Glassware matters. Serving order matters. Story matters. In a market where consumers are overwhelmed with choice – and where younger generations are less automatically educated about traditional categories like Sherry – knowledge becomes a strategic lever. González Byass reports investing over 15,000 hours annually in training through the González Byass School, covering internal teams, on-trade professionals, distributors and hospitality staff. The programme extends beyond product knowledge into service standards, origin understanding and sustainability awareness.

In an era of tightening margins, investing heavily in education is not a sentimental choice. It is a calculated one.


I asked Mauricio why this pillar matters so much.

K.Y.: You invest significantly in training and education through the González Byass School. With pressure on margins and increasing operational costs, why prioritise education so strongly?

M.G.: “Because education strengthens the entire category.”

He does not frame it as brand promotion.

“When someone in a restaurant understands the product – the origin, the production process, how it should be served – the experience improves immediately. And when the experience improves, the consumer returns.”

He stresses that wine is not self-explanatory.

“In the past, fewer denominations existed. Today, the wine world is much more complex. There are many origins, many styles. Younger professionals entering hospitality may not be familiar with them. So education becomes essential.”

He brings it back to emotion.

“When people love what they are serving, they communicate differently. It is not just pouring. It is transmitting.”

херес


Internal Culture as Long-Term Strategy

The School is not limited to the on-trade. It reinforces internal cohesion across the group’s multiple wineries and markets. For a company operating in over 100 countries, education aligns identity. It ensures that sustainability commitments, brand values and product positioning are understood consistently – whether in Jerez, London or Mexico City. In a sector often driven by short-term promotional tactics, González Byass treats knowledge as infrastructure. And infrastructure is rarely visible – but always decisive.


Conclusion

Legacy Is Not the Past. It Is a Discipline

It is easy to admire a 190-year-old wine house. It is harder to understand how it stays structurally relevant. González Byass does not position itself as a nostalgic guardian of tradition. Nor does it present itself as a disruptor chasing trends. The strategy that emerges from Mauricio González-Gordon’s leadership is something more restrained – and more durable. Generational thinking, in this context, is not romantic. It is operational. It shapes investment in renewable energy even when margins tighten. It justifies the use of soil sensors in vineyards threatened by drought. It requires lighter bottles, even as some markets still prefer heavy glass. It allows low-alcohol innovation without diluting core identity. It funds education because understanding protects value. The annual Palmas selection shows mastery of biological ageing. The Lepanto redesign demonstrates premium repositioning aligned with sustainability. The Tío Pepe Challenge brings Sherry into cocktail culture. Ángel de Viñas protects vineyards that cannot survive without intervention. None of these actions is spectacular in isolation. Together, they form a pattern. A company that thinks in quarters optimises revenue cycles.

A company that thinks in generations optimises continuity. When Mauricio says, “If you think generationally, you cannot ignore responsibility,” it sounds less like philosophy and more like constraint. Climate change, shifting consumption, and technological disruption – these are not optional themes. They are structural realities. Ultimately, González Byass offers a case study not of reinvention but of controlled evolution. The solera system blends vintages across decades. The company appears to apply the same logic to strategy – layering tradition, adaptation and discipline into a single identity.

And perhaps that is the real lesson from Jerez: Longevity is not inherited. It is maintained.



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There are very few wine companies that can speak about the 19th century in the present tense. Fewer remain family-owned after nearly 190 years and operate across 105 markets worldwide. González Byass sits in that rare category. Founded in 1835 in Jerez by Manuel María González Ángel, the house began as a modest Sherry business […]

Paris. Ruffino. Signature Tour

An evening where Italian wine heritage, contemporary craftsmanship and high cuisine converged with effortless grace: the Ruffino Signature Tour dinner at the Bvlgari Hotel Paris offered a rare opportunity to experience the wines of this iconic estate in two brilliant dimensions within a single event. Drinks+ contributor Oleksandra Minenko-Decamps had the chance to witness it first-hand.


The venue – Bvlgari Hotel Paris

On 10 February 2026, in the very heart of Paris, the luxurious surroundings of the Bvlgari Hotel Paris hosted an exclusive gastronomic evening – the Ruffino Signature Tour.

It was an event where haute cuisine, great Italian wines and the contemporary artistry of winemaking were woven into a seamless, harmonious whole.

The dinner took place at Il Ristorante – Niko Romito, renowned for its refined, modern interpretation of Italian gastronomy, where tradition is expressed through minimalism, precision and purity of flavour. The atmosphere embodied the philosophy of luxury lifestyle: elegance, meticulous attention to detail and impeccable gastronomic balance.

Ruffino – a star in the Tuscan constellation

Founded in 1877, Ruffino stands as one of Tuscany’s defining estates and a distinguished ambassador of Italy’s wine heritage. Its history is a dialogue between tradition and innovation, where deep respect for terroir coexists with forward-looking winemaking.

This year, one of Ruffino’s estates  – Tenuta Ruffino Poggio Casciano, located in the heart of the Chianti zone –  has been nominated for the Wine Travel Awards 2025–2026 in the category Brand – the Visiting Card of the Country. From 11 March, fine wine lovers are invited to cast their vote for this remarkable destination on Italy’s wine map.

The Paris edition of the Signature Tour offered invited guests – journalists from leading international media, distributors and wine experts –  a deeper immersion into Ruffino’s philosophy: from classical interpretations of Chianti to contemporary expressions of Tuscan wine.

The evening’s highlight – Garzaia

The focal point of the presentation was Garzaia, crafted by talented winemaker Olga Fusari – a striking Bolgheri Superiore that embodies a new generation of Tuscan wines.

Blend: Cabernet Franc (70%), Merlot (30%).

Aged for 18 months in barriques, the wine gains depth, structure and a refined, polished texture.

Garzaia reveals a poised balance of power and elegance: notes of black berries, spice and noble oak are framed by silky tannins and a long, gastronomic finish. It became the emotional centrepiece of the evening –  a symbol of Bolgheri’s contemporary identity.

Wines presented

La Solatia Pinot Grigio 2024 Toscana IGT

A Tuscan white partially vinified in ceramic amphorae, enhancing texture and complexity.

Profile: citrus brightness, mineral tension, elegant structure.

Pairing: an ideal match for the evening’s fish courses.

La Solatia Pinot Grigio 2024 Toscana IGT


La Solatia Toscana IGT 2024

A modern Tuscan cuvée showcasing Ruffino’s innovative spirit.

Blend: Syrah (46%), Petit Verdot (20%), Cabernet Franc (17%), Cabernet Sauvignon (17%). Partial ageing in ceramic amphorae for six months accentuates texture while preserving freshness and purity of fruit. Aromas of dark berries, spice and a touch of minerality.

Paired beautifully with the meat dishes, particularly maialino croccante with orange sauce.

La Solatia Toscana IGT 2024


Chianti Classico Gran Selezione Riserva Ducale Oro 2021 DOCG

A historic Ruffino cuvée.

Blend: Sangiovese (80%), Merlot (10%), Cabernet Sauvignon (5%), Colorino (5%).

Aromatics: cherry, spice, subtle tobacco.

Style: structured, gastronomic, with ageing potential.

Chianti Classico Gran Selezione Riserva Ducale Oro 2021 DOCG


Vin Santo del Chianti Serelle 2021

A dessert wine from dried grapes Malvasia de Chianti and Trebbiano (Tuscany), aged 36 months in traditional caratelli. Notes of dried fruit, nuts and caramel create a deep, concentrated palate with noble sweetness.

Vin Santo del Chianti Serelle 2021

Gastronomic pairings

The menu was crafted around the idea of harmonious food & wine pairings:

  • Ventresca di tonno arrosto with fennel and citrus – highlighting the freshness of Pinot Grigio.
  • Ravioli di vitello alla Genovese with Parmigiano Reggiano sauce – revealing the structure of Chianti Classico.
  • Maialino croccante all’arancia – a superb match for Garzaia, amplifying its depth and aromatic complexity.
  • A classic Tiramisù provided a refined finale, in perfect harmony with Vin Santo.

A luxury experience

The dinner at the Bvlgari Hotel Paris was far more than a tasting – it was an exceptional experience even for seasoned tasters and wine professionals. It marked a moment where celebrated Italian gastronomy, great winemaking and luxurious aesthetics aligned in perfect harmony.

The refined setting of Il Ristorante – Niko Romito underscored the evening’s philosophy: purity of flavour, precision of execution and elegant presentation, each dish revealing the character of the wines through thoughtful pairing. Impeccable service, attention to detail and the interplay of flavours transformed the evening into a true gastronomic journey along Italy’s most exquisite routes – towards that sacred art of living where the dialogue between wine and cuisine becomes a graceful ode to dolce vita.

Ruffino



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An evening where Italian wine heritage, contemporary craftsmanship and high cuisine converged with effortless grace: the Ruffino Signature Tour dinner at the Bvlgari Hotel Paris offered a rare opportunity to experience the wines of this iconic estate in two brilliant dimensions within a single event. Drinks+ contributor Oleksandra Minenko-Decamps had the chance to witness it […]

Hannah Tovey: «The importers have always been the bedrock of London Wine Fair. As largest global importer of wine, their presence is an essential part of the show’s success»

On the cusp of 2026, a headline from London sent ripples through the global wine community: Britain’s most influential wine event, the London Wine Fair, has been acquired by a new company, Vindustrious. Yet for participants, the shift proved far less dramatic than it first appeared – the new venture is led by none other than the fair’s long‑standing Head of London Wine Fair, Hannah Tovey. Drinks+ had the privilege of speaking with Ms Tovey about the evolution and future direction of this iconic exhibition. Given the scale of the changes, our conversation turned out to be a long one – but well worth your patience.


London Wine Fair 2026 will take place from 18th to 20th May at Olympia and will mark the 45th anniversary of the exhibition. This year brings exciting news: Vindustrious has acquired the London Wine Fair, and you have become the owner and head of this new world-class expo operator. Could you tell us more about the reasons behind this transition and its expected impact? How would you define it – “federalization,” a “new chapter,” or perhaps a “divorce”? And what future plans arise from this change?

“London Wine Fair transferred ownership from Hemming Group to Vindustrious – a new company I set up – at the end of October.  Whilst the ownership has changed, all five members of the London Wine Fair team have remained in role, so in that sense the acquisition marks a “new chapter”.  The transition will bring both stability and renewed momentum and marks a new era for London Wine Fair.  The buyout happened because the previous owner – Hemming Group – wanted to focus on their core industries: infrastructure; transport; public sector and healthcare.  The arena of drinks had become an outlier, so it made sense for them to sell the Fair. The buyout was very amicable, and it has happened with the blessing of the Hemming Group.

As the sale has happened part way through the build up to 2026, some of the plans were already in place and announced – such as the Host Nation initiative. There are further partnerships to be announced as we approach May, as well as the third iteration of our Icon Tasting series, but most gratifyingly we have seen a surge in exhibitor bookings since the announcement.”

London Wine Fair

We have insider information that bookings and prospects for the 2026 exhibition are already 14% ahead of the same period last year. This growth follows the impressive success of the 2025 edition, which saw a 40% increase in revenue compared to the previous year. What other positive developments are you seeing following the transition? Could you also share your assessment of the effectiveness of the Host Nation initiative you introduced?

“Correct!  And this is very much down to the success and growth of 2025.  Two areas of the show have seen particularly significant growth: the Host Nation initiative, which will focus on producers from the UK, spanning all drinks categories.  This initiative alone is set to bring more than 100 English wine producers to the show – we have already had to double the allocated space, such was the demand – so yes, this has been extremely successful.  We are also set to double the size of Signature Serve; this is the spirits and mixers section of the show which launched in 2025. In the last couple of weeks alone we have secured big name spirits brands – including Pernod Ricard – which really underline the renewed status of the event.”

It would probably not be an exaggeration to compare you to the captain of a high-speed ocean-going yacht who has successfully steered the vessel through many turbulent years, including the pandemic. How do you see and feel yourself? Who are the key members of your team, and do you anticipate any changes in roles or personnel?

“I would say that sounds pretty accurate! I have worked in events for 25 years, including running seven London Wine Fairs.  The last five years have seen the most challenging period of the show, against a backdrop of Brexit, the Pandemic and onerous taxation.  But the team and I thrive on challenges!  We created the industry’s first fully digital event during the pandemic, and a hybrid event thereafter.  The Fair has become a key platform which the industry can use to debate and discuss the significant geo-political challenges and opportunities of our time.  So, whilst the industry is seeing significant turbulence, we are also seeing our exhibitors seize opportunities through innovation and strategic decision making.

Alongside myself, the London Wine Fair team comprises: Kate Stretton (Director of International Sales); Mara Veith (Director of Sales: UK, France and Asia); Holly Boatright-Wilson (Marketing Manager); and Kasie-Ella Dixon (Marketing and Sales Executive).  And Dan Warner joined the team at the beginning of the year, as Sales Manager for Signature Serve, the spirits section of the show. Between us we have a terrifying number of years in the drinks industry and events in general. We have a great energy as a team and each one of the team brings a unique and colourful personality and level of experience and knowledge that is a joy to work alongside.”

As we know, the London Wine Fair 2025 was shortlisted for an impressive four Exhibition News Indy Awards: Trade Show of the Year, Content Programme of the Year, Exhibition Growth of the Year, and Best Event Director – the latter recognising your leadership personally. Ultimately, the London Wine Fair received Highly Commended distinctions for both Best Event Director and Trade Show of the Year. Could you comment on these achievements? Which recognition is the most meaningful to you, and which one was the most challenging to attain?

“This was an unprecedented number of awards in a single year for the event.  Being Highly Commended for both Best Event Director and Trade Show of the Year categories meant so much to us all – putting on London Wine Fair is very much a team effort after all – so I would say the Trade Show of the Year was the most meaningful to me personally.”

Over the past three years, we’ve witnessed a noticeable intensification of competition among the leading drink-sector exhibitions, with Paris and Düsseldorf actively vying for dominance. Yet, regardless of how the global “podium” may look today, London continues to hold a truly unique position. In your view, what specific characteristics of the British market allow London to maintain this special status? Would it be fair to say that one of the strongest assets of the UK market is its deeply rooted trading capacity – the network of importers, buyers, and companies whose expertise and international connections in the wine trade have been shaped over centuries?

“With Wine Paris and ProWein only a month apart from each other, we are seeing producers deciding to choose either one or the other of these larger events in addition to participating at London Wine Fair later in the year. So we are not really seeing an impact on us. The UK is the largest importer of wine in the world, as well as the largest exporter of spirits, so in that regard it essential for any producer looking to do business in this market and beyond.  It is of course a highly competitive market, so events like London Wine Fair are essential platforms for getting products in front of the UK’s drinks buyers and decision makers. In terms of reaching this audience, London Wine Fair is unrivalled.”

Hannah Tovey

If we are not mistaken, the London Wine Fair is perhaps the only major international exhibition where importing companies are represented so actively as exhibitors. How do you encourage their participation? What mechanisms or initiatives help you strengthen exhibitors’ motivation?

And on the other side of the equation – how do you increase buyers’ motivation to attend the Fair and participate in its various events? In this context, could you tell us more about the Drinks Buyers Awards and their role in attracting and engaging the buying community?

“The importers have always been the bedrock of London Wine Fair.  As largest global importer of wine, their presence is an essential part of the show’s success.   Leading agents like Hatch Mansfield and Les Producteurs et Vignerons de France have been with us since day one, and alongside other long-term supporters like Buckingham Schenk; Beyond Wines; ABS Wine Agencies and Felix Solis, see the Fair as pivotal event in their calendar.  We were delighted to welcome Mentzendorff back to the show in 2024, and then to see them double the size of their stand in 2025.  This year we are looking forward to seeing more importers of all sizes back to the main Trading Floor of the show, including Seckford Wine, returning to the show.  They participate because London Wine Fair is an essential part of their sales strategy.  They know they will be able to have meaningful meetings with buyers as well as key decision makers and foster relationships with those in customer facing roles; retail managers and sommeliers for example, as well as media. Our ratio of exhibitors to visitors is currently unrivalled in drinks industry events, at 22:1, around four times that of its international competitors.

Our Drinks Buyers Awards – an updated iteration of our Wine Buyers Awards, to recognise our uplift in spirits and no and low alcohol buyers attending the show – do give added pull for our most influential visitor audience. We have had a record number of entries this year illustrating the exceptionally strong credibility these awards have garnered.”

Could you name some of the most reputable trade structures and explain how they typically work with your exhibitors? How have priorities in this area changed today? What characteristics of producers have become most important when selecting partners, and what trends are influencing changes in buyers’ assortment portfolios?

“We work closely with the Wine & Spirit Trade Association when building content for the show.  They always host an Industry Briefing, bringing debate on the issue of the day to the UK, via our platform.  There has been no shortage of content over the last few years as the global industry has faced so many challenges, from Covid-19 to tariff chaos.

The UK market is particularly diverse, which means that producers coming here seeking representation, are not necessarily restricted to a particular characteristic.  We are seeing growth in lower alcohol wines as well as No and Low products, reflecting the fast growth of this sector.  But equally, we are seeing demand for wines from all corners of the winemaking world, particularly those from off the beaten track.  We are seeing increased demand for sustainable products across the board, and over recent years we have seen producers proudly showcasing these initiatives, something which we actively champion.”

London Wine Fair

As we understand it, LWF 2026 will see several debuts both among buyers and among exhibitors from adjacent or entirely new sectors. Could you introduce the most notable newcomers, or those that you consider particularly significant?

“Our most exciting debut is our Host Nation initiative, introduced to showcase a specific country or region as the centrepiece of London Wine Fair.  For the first year, the focus will be on British producers, including English and Welsh wine.  We have been absolutely thrilled with how positively this has been received.  Our original English Wine stand sold out, this dedicated space has now doubled in size, with 50% of this already allocated; expectations are that more than 100 UK producers will sign up in time for May, exceeding the original target;  an almost five-fold increase on 2025.  It is great to see so much optimism and growth in this sector.

We are set to see a really interesting mix of English wine producers, including: 1276 Wines; Balfour; Bolney; Chapel Down; Everflyht; Flint Vineyards; Gusbourne; Roebuck; Sandridge Barton; Simpsons; and Williams Family Wine, along with 30 producers from Defined Wines, which will host a Pop-Up Tasting on the middle day. WineGB is also supporting Host Nation and is taking a stand within the Host Nation area, with an education focus.  And we are also updating our annual Wine Writers Edit – the list of 30 “must taste” wines – selected by 10 of the UK’s leading wine writers and influencers ahead of the show; one of the three products to be selected by each of the wine writers must be British.

In terms of other new and returning visitors, we are absolutely delighted to welcome back Chile’s Luis Felipe Edwards, celebrating their 50th anniversary this year, as well as Wines of Washington, Virginia Wines, Bordeaux, Sherry and – for the first time – Friuli.  We are looking at a really exciting and diverse range of exhibitors this year.”

It would probably not be an exaggeration to say that the dynamic and highly exhibition-attractive – landscape of the British drinks market is shaped to a large extent by key figures such as Oz Clarke, Jancis Robinson, Robert Joseph, and the many Masters of Wine who live and work in the UK, as well as influential media including The Drinks Business, Decanter, The Wine Merchant, and others. Every ambitious producer worldwide seeks to be on their radar. Which of these opinion leaders and media representatives will take part in LWF 2026, and in what capacity?

“All the influential drinks media publications will be participating in the 2026 show in some capacity, be it through exhibiting, hosting events, or collaborating on what will be a rich timetable of industry briefings and masterclasses. It’s too early to say which key opinion leaders and influencers will be involved on an individual basis, but we have attracted a very high calibre audience in the last two years through the Icon Tasting, which will see its third iteration in 2026.  Last year’s judges included:  Susie Barrie MW, Writer & Broadcaster, Wine Blast podcast; Sam Caporn MW, Director – The Mistress of Wine; Oz Clarke, broadcaster, author; Tom Hewson, Champagne Correspondent, Decanter; Alice Lascelles, Journalist at Financial Times; Matthieu Longuere MS, Wine Development Manager, Cordon Bleu; Peter Richards MW, Writer & Broadcaster, Wine Blast podcast; and Siobhan Turner MW, Wine Consultant.”

London Wine Fair

Your own marketing experience is virtually impeccable: you led the digital transformation of the London Wine Fair and are credited with founding Imbibe Magazine, one of the industry’s leading publications. From your perspective, what is the role of media today both digital and print in shaping the modern wine industry? Which formats or channels do you find most effective, and why? What are the primary communication and promotional channels you plan to focus on going forward, both within the UK and internationally?

“The role of media today is more important than ever.  We are incredibly lucky in this market to have such a breadth of knowledgeable and reputable journalists, wine writers and publications within such a diverse array of platforms, be it print, digital, social or broadcast.  I don’t think it is an exaggeration to say the UK drinks publications are unrivalled and are seen as the voice of the industry the world over.”

As announced on your website, following its notable debut in 2025, the Signature Serve section – showcasing premium spirits – is set to make an even greater impact in 2026. What new elements or experiences will this space offer? And which audience segments is it primarily designed to attract?

“We created Signature Serve specifically for an audience of top end UK based buyers and distributors, from leading cocktail bars to independent retailers and multiples, because we could see the demand was there.  Our research showed that more than 2,000 decision makers working in spirits were already attending and this was down to the increasing crossover between wine and spirits buying roles.  London Wine Fair was already an essential part of their wine-buying remit, but there weren’t enough spirits exhibitors to meet their demand.

“The inaugural show was a huge success with several exhibitors signing up for 2026 on-site – including Brixton Spirits; Beckford’s Rum and O’Donnell Moonshine, which is increasing their stand space by 500%.  We also have a wealth of companies coming for the first time, including Vincenzi; Regal Rogue; Sacred Spirits; Brands Jalisco; Casoni; Claxton’s Spirits; Foreva Farmers; Frontline Spirits;  No & Flow Brands; Pernod Ricard; Pillars Brewery; and Veda Mushroom. We are expecting the space to double for 2026.

“As in 2025, we will run Signature Serve’s Sundowners Session on the Monday evening; Fifty VIPs, comprising the UKs top spirits buyers and media, will be invited to attend this “after hours” event where exhibitors will prepare “signature serve” cocktails.  This will be exclusive sampling occasion, for a VIP audience, with many of the cocktails reflecting the cutting edge trends in mixology.”

“The Signature Serve Theatre will also see a 25% increase in content, and this will be led by our Ambassadors, Millie Milliken, the award-winning drinks and hospitality writer; and Liam Davy, Head of Bars for Hawksmoor Restaurants.

“We can also share that we will be including a brand-new spirits focused category – as well as No&Lo – to our Drinks Buyers Awards, originally created as the Wine Buyers Awards in 2020.  There will be two Spirits Buyer Awards which will recognise outstanding buyers up for grabs, the off-trade: Spirits Buyer Supermarket/Multiples) and Spirits Bury (On-Trade).”

London Wine Fair

As we know, you plan to devote special attention to the low & no-alcohol category. In which space and format do you intend to present this segment? What other key industry trends will be highlighted at the fair, and how will they be showcased?

Our Mindful Drinking Experience, delivered in partnership with Club Soda, enters its third year of growth –underscoring the rising significance of the No & Low category. Now in a more central location, the experience proudly welcomes back returning exhibitors including Zeno, Jörg Geiger, Smiling Wolf and Wednesday’s Domaine, alongside new international additions such as Oh My Baie from France.

We’re also excited to celebrate a major milestone with Eisberg, one of the UK’s leading alcohol-free wine brands, as they sponsor our newly launched No & Low Drinks Buyer Awards. Eisberg will unveil a dedicated influencer and selfie space within the Mindful Drinking Experience, located alongside their stand.

A key emerging trend within No & Low is the Mid-Strength category, increasingly popular for moderation through sophisticated, flavour-forward products. We’ll be showcasing pioneering brands in this space, like 6 Percent and Future Château. In addition, the programme will feature a minimum of three masterclasses exploring trends, new product development, and practical strategies to monetise No, Low and Mid-Strength drinks across the on and off trade.

We will also be shining a spotlight on sustainability with a brand new partnership, details of which will be announced very soon!

London Wine Fair

In 2024, our media group Drinks+ had the honor of serving as the information partner of the remarkable Judgement of London event. The star highlight of 2025 was the creative and dynamic Battle of the Bubbles. Are you planning a similarly outstanding competition for the upcoming edition?

“The Icon Tastings have been very well received and are now a firmly established element of the show.  They were created to boost the fine wine element of London Wine Fair as well as become a significant talking point, and in that sense, they have been extremely successful with coverage on the results reaching all key markets around the world.  Yes, there will be an Icon Tasting in 2026 and it will be managed by Sarah Abbott MW and Ronan Sayburn MS again; we are planning to announce the theme on the 24th February and what will be a high calibre judging panel in early April.”

Hannah Tovey

Please share your advice for producers planning to participate in the London Wine Fair: how can they attract the attention of influential opinion leaders and buyers? The first tip is probably obvious register as an exhibitor ))). But what should they focus on next?

“Registering early to maximise all the opportunities available is advisable. Beyond this, producers should identify how to ensure their products can capture the attention of their target audience, be it buyers, retail managers, bartenders or media.  Use the show to launch new products with engaging storytelling which will resonate.  Highlight any innovations or trends which capture the zeitgeist: low and no, sustainability, clever packaging, for example.  Participate in the sessions taking place in the shows theatre spaces, as a panellist or within the audience. Investigate sponsorship options to boost visibility beyond your stand. Upload your products onto the show’s database, run by Bottlebooks, to enhance your visibility.  Engage with the visitor audience early on within our networking platform and book-in on stand meetings and 121 tastings with your key targets.”



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On the cusp of 2026, a headline from London sent ripples through the global wine community: Britain’s most influential wine event, the London Wine Fair, has been acquired by a new company, Vindustrious. Yet for participants, the shift proved far less dramatic than it first appeared – the new venture is led by none other […]

Lady May. Her Journey with Wine

In May 2025, Madame May‑Éliane de Lencquesaing, known worldwide as Lady May, turned 100. It felt like a sign from the universe – for that same year marked the 100th anniversary of Pinotage, the flagship grape of South Africa, where the estate still overseen by Madame May‑Éliane is located. And the stars aligned happily for Drinks+, as the legendary Lady May found the time to give an exclusive interview to our media. We are immensely proud that such an extraordinary figure in the world of wine shared with our readers both her precious time and her bright, inspiring thoughts.


May‑Éliane de Lencquesaing is a figure of exceptional stature in global winemaking. Her name is inseparable from entire eras, iconic châteaux, and decisions that have shaped the wine map of the world. Known for her inexhaustible vitality, she was named Decanter’s “Woman of the Year” in 1994, becoming the first Frenchwoman to receive this honour. For decades, May‑Éliane de Lencquesaing helped define the identity of great wine estates – from Château Pichon Longueville Comtesse de Lalande in Bordeaux, which she led for more than thirty years, to Glenelly Estate in South Africa, created later in life as a bold and visionary project. Today, the wine named in her honour, “Lady May”, is considered one of the finest in Stellenbosch. Its distinctive character symbolises the strength of spirit of Madame May‑Éliane.

Château Pichon Longueville

Château Pichon Longueville Comtesse de Lalande

When she took the helm of Château Pichon Longueville – family legend says it was decided by drawing lots – she became the only woman winemaker in the Médoc, surrounded entirely by authoritarian men. Corinne Mentzelopoulos had not yet arrived at Château Margaux. Only ten years later did Baroness Philippine de Rothschild appear on the scene. But Lady May stood her ground. Her authority extends far beyond the vineyards: in 1993 Madame de Lencquesaing became President, and later Lifetime Vice‑President, of the International Wine & Spirit Competition (IWSC); she was awarded the title of Officier de la Légion d’Honneur, France’s highest state distinction, established by Napoleon Bonaparte in 1802. Lady May is a member of the Bordeaux Académie nationale des sciences, and an honorary member of the Pinotage Association for her outstanding contribution to the global wine industry. And this is only a fraction of the honours bestowed upon this remarkable woman.

May-Eliane de Lencquesaing

Her life and professional experience formed the basis of her memoir My Journey with Wine, a heartfelt account of a woman whose passion and determination not only transformed legendary estates but also inspired generations of winemakers around the world. And her story with wine is still being written – for this woman, whose name breathes spring, still travels from Switzerland to South Africa every year, spending several weeks there to oversee her vineyards.

Glenelly Estate

Glenelly Estate

D+: First of all, Madame May-Éliane de Lencquesaing, allow me to thank you for taking the time and giving us the opportunity to speak with you. When I read Jane Anson’s article about you, it felt like reading a historical novel, leaving a sense of having encountered the lives of people who shaped history. You raised four children while maintaining your passion for science, managed the jewel of France – Château Pichon Longueville Comtesse de Lalande – for over 30 years, and then Glenelly Estate in South Africa for more than 20 years, and you hold numerous honorary titles. Out of everything you have done and achieved in your life, what reflects your true self? Do you ever feel any regret today for not dedicating yourself to another passion –  and if so, what might that have been?

MayÉliane de Lencquesaing: To create and to share – these are what define me, and this can be done in many different fields. But what I would have loved to study is geology – the soils and the subsoils and archeology, which I did.

May-Eliane de Lencquesaing

D+: In one of your interviews, you spoke with deep respect and warmth about your grandfather, who was a kind and extraordinarily knowledgeable man. He taught you the sciences, foreign languages, and piano, and instilled in you a love for the land and for the terroir. Could you please tell us how your passion for winemaking began?

ML: I was very lucky for having learned from both my 2 grand-fathers. They took me with them to the vineyards, thought me viticulture and I used to pick the harvest. They took me to the cellars and slowly made me discover the different qualities of wine tasting.

D+: For many years, you were the owner and head of Château Pichon Longueville Comtesse de Lalande, one of France’s most luxurious and magnificent châteaux. Could you recall the moment you first stepped into this estate – what were your thoughts and plans at that time?

ML: I married an Army man and was taken away from vineyards. I was over 50 years old when my family asked me to take back running our family vineyards. Château Pichon Longueville Comtesse de Lalande in Pauillac in July 1978. Oenology had developed tremendously since my childhood, and I needed this scientific knowledge. I decided to go back to University to study in the class of Professeur Emile Peynaud.

May-Eliane de Lencquesaing

D+: What prompted you to make such a difficult (as it seems to us) decision – to part with this true gem of France?

ML: I ran Château Pichon Longueville Comtesse de Lalande during 30 years with the greatest pleasure, working day and night. By the time my children were grown-up. They were army children and not interested by viticulture and by country life. This is the reason why I had to sell my family home.

Château Pichon Longueville Comtesse de Lalande

Château Pichon Longueville Comtesse de Lalande

D+: When you sold the château to which you had devoted decades, you were at the age when many people dream of a hammock, fishing, and knitting. Yet you chose an incredible – and undoubtedly challenging – new adventure: to lead a winery in South Africa. Why South Africa, and why not the hammock? 🙂

ML: I just kept Glenelly in South Africa that I had purchased a few years before for 2 reasons: help developing the economy of South Africa in memory of Nelson Mandela and develop also the vineyards knowing the quality of the “terroir” and the kindness of the people.

D+: Speaking of South Africa, we of course have to ask about Pinotage – a variety that has experienced both highs and lows. In your view, why has Pinotage’s path to recognition been so challenging?

ML: The Pinotage variety is very special – the wine making is different and though my best friend does lovely Pinotage wines,  but I cannot tell you more.

D+: Why, having the opportunity to work with Africa’s native varieties, did you remain loyal to Bordeaux grapes?

ML: In 1688 when the Huguenots moved from France to the Cape for religious reasons, they brought with them the French varieties – these varieties developed with the terroir and the climate. No change happened – no other variety was added.

D+: Founded by you in 2003 in South Africa, Glenelly Estate is more than just a winery – it is a world-class wine estate with a luxurious restaurant and a glass museum. Could it be said that glass is another one of your passions? Your unique collection includes over 1,000 rare pieces, ranging from antiquity to modern times, and is housed in two private museums (in Bordeaux and at Glenelly). Could you tell us about this extraordinary hobby.

ML: Glass is like wine. Both are linked to poor soils – glass comes from sand and wine grows on poor soils. They exist by the skills and work of men. Glass and wine are precious and have belonged for ever to our civilization. I collected each piece one by one, some in antique stores, some from studios. I have been close friend with many artists in the US, in Italy, in France, always interested in different techniques, different creations and different skills in such a diversity of creation.

D+: Let’s return to the topic of wine 🙂 Madame Lencquesaing, do you enjoy wine yourself, and if so, how much per day and which types do you prefer? French or South African? Or perhaps something entirely different – have any exotic wine regions impressed you during your travels around the world? And which wine masterpieces do you keep in your personal cellar?

ML: I grew up in the Medoc area, north of Bordeaux, along the Garonne River, known for its classified appellation such as Margaux, Saint Julien, Pauillac and Saint Estèphe an area for only red wines. Wine was always served with our meals. At age 7, we were given a glass of wine mixed with water. But we were educated to look at the color of wines, to the nose related to the age of the wine and to the story of the harvest. Later we were allowed to taste.

I drink wine every day with my food by small quantity – red or white depending what kind of food. I enjoy all kind of wines. They can be so different, more fruity, more tannic, more complex with short or long after taste. I prefer elegant wines to powerful wines.

D+: Have you ever visited vineyards in Eastern Europe? If it is so, which regions and wines have left an impression on you, and why? Have you perhaps had the opportunity to taste any Ukrainian wines?

ML: I am interested in Italian and German wines. Such as their Ice Wines. My grandfather used to collect wines from Tokay. The most Eastern wines I have tasted were from Lebanon and Georgia, they are great. I never have had the privilege of tasting Ukrainian wines and I would love to know more about their soils and their varietals.

D+: You have immense experience and knowledge about wine – you taste and identify styles, and seem to know everything about it. Could you perhaps offer a few tips for people who are just  learning to taste wine: how to develop their palate and keep it sensitive?

ML: No, you never know everything about wine, wine is such a mystery. The color, the brilliance, the intensity in the glass is the first discovery. Then comes the nose, touch of flowerness berries or of notes of spices. This complexity brings you to guess what you will discover in your palate. More your taste, more you learn to discover all these elements. It is a discovering experience to be shared with friends. In the palate you must always look for the fruit more than the alcohol and for balance and also for the quality of the tannins.

Wine is very good for the health. When I was a 10 years old child I had growing problems. Every day I was given by my grandmother, before my lunch, a cookie with a glass of melted sugar in water with two spoons full of red wine mixed. It made me strong.

Madame May‑Éliane de Lencquesaing

D+: What are your thoughts on young people today who tend to abstain from alcohol entirely, or from wine specifically, finding it confusing or too complex? How do you view the current development of the non-alcoholic wine industry? Overall, what do you see as the future of wine?

ML: Young people should learn more about wine, the history through the centuries. The precious work of growing a vineyard, the respect for the fruit – this gift of God. Young people should enjoy wines, they just need education and moderation. In France we say “food without wine is a day without sun”.



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In May 2025, Madame May‑Éliane de Lencquesaing, known worldwide as Lady May, turned 100. It felt like a sign from the universe – for that same year marked the 100th anniversary of Pinotage, the flagship grape of South Africa, where the estate still overseen by Madame May‑Éliane is located. And the stars aligned happily for […]

Among the Key Plans for 2026 at the Cité des Climats et Vins de Bourgogne – the Global Wine Tourism Day. The Date Is Set

At the recent annual Soirée des Mécènes of the Cité des Climats et Vins de Bourgogne in France, a major international announcement was made: the Cité des Climats et Vins de Bourgogne in Beaune will host the first-ever Global Wine Tourism Day, scheduled for 17 June 2026.


The event is initiated by the Wine Travel Awards and the Cité des Climats et Vins de Bourgogne in Beaune, with the support of the Comité Bourgogne. Its aim is to highlight the cultural, economic and innovative potential of wine tourism by bringing together industry leaders, experts, producers, media representatives and opinion leaders from across the globe.

The annual gathering of patrons of the Cité des Climats et Vins de Bourgogne is a significant moment for Bourgogne. It is here that strategic decisions are made regarding the preservation and promotion of the region’s unique historical sites, many of which are listed as UNESCO World Heritage. The event serves as a platform for reviewing completed projects and presenting new and promising initiatives. Typically, more than fifty sponsors and partners convene to discuss achievements and future plans.

Under this patronage, and within the framework of the 2022–2026 agreement with the Association des Climats, a programme of 23 ambitious projects was developed, including the flagship events of 2025 dedicated to the 10th anniversary of  Bourgogne’s Climats being inscribed on the UNESCO World Heritage List. This included an extensive educational initiative aimed at younger generations, encouraging them to understand and take pride in Bourgogne’s rich heritage. Forty monographs were also produced, exploring the unique history of the region and its individual terroirs. Over the years, with the support of patrons, numerous projects have been implemented – from reinforcing the stone walls of the Climats and mapping historic wine cellars to compiling a glossary of viticultural terms.

The 2026 Soirée des Mécènes highlighted that the Cité des Climats et Vins de Bourgogne continues to evolve as a key cultural and educational centre dedicated to the region’s wine heritage.

At the initial stage, around €6.5 million in patronage funding was raised, enabling the creation of high-quality scenography and cultural content for the exhibitions. It is important to note that the patronage system supports cultural content rather than the operational activities of the institution.

According to statistics, the Cité welcomed around 85,000 visitors in 2024. Experts believe this figure could be higher, given Bourgogne’s strong potential in wine tourism. To this end, the commercial strategy has been strengthened and the operational model optimised. For its cultural development, the Cité is currently considering the acquisition of an exceptional library that could become a unique reference centre for researchers, historians and university programmes.

In 2026, the Cité will introduce new elements to enhance visitor engagement: new sections explaining wine labels and the hierarchy of appellations, as well as an in-depth exploration of wood and cooperage – a topic of growing relevance. Another highlight will be the new film Bourgogne on a Global Scale”, to be shown in the relaxation area.

The Cité des Climats et Vins de Bourgogne aspires to be not merely a museum, but a true “place of life and experience”, combining culture, gastronomy and learning.

Visitors can expect several updates, including an expanded children’s area (“cabotte”), a more interactive and engaging quest, additional languages for audio guides, and the relocation of wine tastings to the restaurant area – improving comfort and encouraging guests to stay longer while enjoying panoramic views.

In addition, an educational geological trail is being developed for Chablis, and the exhibitions dedicated to winegrowers and the challenges of climate change will be refreshed. The Cité des Climats et Vins de Bourgogne – where the past of wine as a cultural heritage of civilisation meets its future – is gaining increasing authority and recognition on the global stage.

One of the latest confirmations of this was its confident victory in the international Wine Travel Awards 2024–2025. During the patrons’ evening, WTA Ambassador Oleksandra Minenko Decamp presented the main trophy to the institution’s leadership: Benoît de Charette, President of the Cité des Climats et Vins de Bourgogne; Édouard Moghetti, Director of the Cité; and Laurent Delaunay, President of the Comité Interprofessionnel des Vins de Bourgogne (BIVB). The latest edition of the Wine Travel Awards Guide was also handed to Sylvain Naulin, Managing Director and CEO of the Comité Bourgogne.

The upcoming Global Wine Tourism Day, set for 17 June, aims to further strengthen global awareness of Bourgogne’s cultural heritage. The event is poised to become a landmark occasion in the development of wine tourism. On 17 June, the Cité in Beaune will welcome industry professionals for this international gathering and the awards ceremony of the Wine Travel Awards 2025–2026.

Today, wine diplomacy continues to work towards uniting the forces of light and goodwill.

We warmly invite you to the Cité des Climats et Vins de Bourgogne (Beaune) for the Global Wine Tourism Day.



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At the recent annual Soirée des Mécènes of the Cité des Climats et Vins de Bourgogne in France, a major international announcement was made: the Cité des Climats et Vins de Bourgogne in Beaune will host the first-ever Global Wine Tourism Day, scheduled for 17 June 2026. The event is initiated by the Wine Travel […]

Bordeaux Summer School 2026: How Winemaking Responds to the Challenges of Climate Change

In September 2026, Bordeaux will host the international Bordeaux Summer School, dedicated to the sustainable development of viticulture and winemaking in the context of climate change.


From September 7 to 11, 2026, leading academic and research institutions – the University of Bordeaux, Hochschule Geisenheim University, the Australian Wine Research Institute (AWRI) and the University of Adelaide – will bring together their expertise to discuss the future of the wine sector in the face of global environmental challenges.

Bordeaux Summer School

The summer school programme focuses on sustainable viticulture, biodiversity conservation, responsible resource management and innovation in winemaking. Participants will gain contemporary scientific insight into how vineyards and wines can adapt to climate change while remaining high-quality, competitive and environmentally responsible.

The programme will be delivered entirely in English over five days, combining lectures, discussions and interdisciplinary exchange among students, early-career researchers and scientists from around the world.

The summer school is open to Bachelor’s, Master’s and PhD students, postdoctoral researchers, as well as all those professionally or academically interested in the future of viticulture and winemaking.

The application deadline is June 7, 2026.

Bordeaux Summer School 2026 offers a unique opportunity to look ahead to the future of the wine industry and to contribute to shaping sustainable solutions at the intersection of science, nature and culture.



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Source: bss-vinewine.u-bordeaux.fr
Photo: facebook.com/univbordeaux

In September 2026, Bordeaux will host the international Bordeaux Summer School, dedicated to the sustainable development of viticulture and winemaking in the context of climate change. From September 7 to 11, 2026, leading academic and research institutions – the University of Bordeaux, Hochschule Geisenheim University, the Australian Wine Research Institute (AWRI) and the University of […]

Casa Redondo Announces the Acquisition of Sheridan’s

Casa Redondo has officially announced the acquisition of the Sheridan’s brand from Diageo. This deal marks an important milestone in the company’s international strategy and significantly strengthens its global presence.


The Portuguese company Casa Redondo, headquartered in Lousã, has nearly 100 years of experience in the spirits category and is home to leading brands, including Licor Beirão – the #1 spirit in Portugal. The company continues to strengthen its portfolio through strategic acquisitions: after acquiring the Safari brand in 2024, Sheridan’s joined the group in 2026 – a premium, iconic brand recognized worldwide for its distinctive dual-chamber bottle combining coffee and cream liqueurs.

The acquisition of Sheridan’s represents a major step in Casa Redondo’s international expansion, opening more than 20 new markets and complementing the company’s presence in over 70 countries. Key focus markets include Eastern Europe, the United Kingdom, South America, and Canada. Casa Redondo plans to support this growth through active market engagement, strengthened distribution, long-term partnerships, and investments in commercial, marketing, and logistics capabilities.

Daniel Redondo, CEO of Casa Redondo, commented: “Sheridan’s is truly an iconic brand with a premium positioning and a strong emotional connection with consumers across many international markets. Our ambition is to reinforce Sheridan’s presence where the brand is already strong and accelerate its growth in strategically important countries.”


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Source and photo: casaredondo.com

Casa Redondo has officially announced the acquisition of the Sheridan’s brand from Diageo. This deal marks an important milestone in the company’s international strategy and significantly strengthens its global presence. The Portuguese company Casa Redondo, headquartered in Lousã, has nearly 100 years of experience in the spirits category and is home to leading brands, including Licor […]

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